The newish hit movie La La Land is creating quite the tempest in a teapot in the jazz world these days, and even a few ripples of jazz-related commentary out side of it. The prospects for an awards bonanza are quite strong, starting with the recent Golden Globes and perhaps continuing to the Oscars. Which would be quite the feat for a musical/romantic comedy.
Personally, I haven’t seen the movie yet and possibly never will. My record for jazz flicks is inconsistent to say the least. I saw the recent Chet Baker biopic but not the Miles Davis one or even the La La Land director’s previous jazzy outing, Whiplash. (Of the ones I’ve not seen, the Don Cheadle Miles Davis is the one I most want to catch up to.)
What I have been doing is reading an awful lot about La La Land, especially as relates to the state of modern jazz.
So I thought I’d share some of that reading. Enjoy!
- La La Land Is Clueless About What’s Actually Happening in Jazz
- La La Land Director Damien Chazelle Breaks Down Jazz’s Popularity Problem
- Jazz Hate: La La Land may be a great movie about dreams, but as a movie about jazz, it’s a muddle of clichés.
- La La Land’s White Jazz Narrative
- La La Land: A Musical Ode to Men Who Love Loving Jazz
- Art in the Age of Masculinist Hollywood: Damien Chazelle’s “La La Land”
- La La Lame: The Infuriating Success of 2016’s Most Whitewashed Film
- On ‘La La Land’ and Its Treatment of Jazz
- The Empty Exertions of “La La Land”
- Is Ryan Gosling’s ‘La La Land’ Character Really That Big Of A Horrible Mansplaining Jazz Monster?
- La La Land: A secret conservative movie?