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SciFi and Sexy Science

Posted on: November 24, 2008 9:49 PM, by Greg Laden

We science bloggers are being asked: "What do you see as science fiction's role in promoting science, if any?" I would like to suggest two different angles to address this question, one that everyone will agree with and appreciate, the other that will enrage most of you and cause you to drive me into the swamp with your torches and pitchforks.


First, the benign angle. I once read an interview with Arthur Clarke (possibly by Jeremy Bernstein?) in which Clarke answered this question in a way that I think anyone interested in either science fiction or science would love to read. Clarke was, of course, involved in the British Interplanetary Society, and personally was involved in research on such important technologies as RADAR. In the interview, Clarke talks about the interesting oddities of directionality in science and science fiction.

By the way, one of the directionalities he speaks of may surprise you. In the interview, which I cannot cite or locate so you've got to take my word for it, Clarke claims that he and Kubrick wrote the screenplay for 2001 prior to Clarke writing the book on which it was based. But I digress.

So, Clarke, in his reminiscence of his own past, talks about how science fiction led science through possible, imagined futures, especially with respect to space travel and rocket technology. I think Star Trek and other later TV shows, movies, and related literature did the same at a more immediate and day to day scale. Not only does science fiction potentially inspire science and technology, it also gauges science and technology. If you don't know what I mean, just sit down and watch three or four episodes of the original Star Trek and pay special attention to the technology itself, and its use in day to day life (on a Starship) and see how that washes in relation to day to day technology today.

On one hand, modern flip phones are star trek communicators. On the other hand, no modern space craft has a cathedral ceiling and a giant movie screen on which we pull up images of aliens, or for that matter, images of anything. We have barely begun to develop intelligently interacting vocal computers, but our portable storage media are at least as sophisticated and cool as the glow in the dark floppy disks used on The Enterprise. And so on.

The other angle is a little less obvious, and this is about making science and scientists sexy, or at least, interesting. Or at least, not total dickheads or hopeless nerds. And here I'll credit as a my former benefactor (for one semester of my graduate study), the recently deceased Michael Crichton. Crichton himself interacted with science and science fiction. Eaters of the dead is fiction that derived from his senior honors project with physical anthropologist Bill Howells. The Terminal man came out of his side interests in medical training. Congo was partly inspired by stories he heard from the people who worked on the Harvard Ituri Project (a scientific expedition) in Zaire (the project I worked on).

Indeed, for me it was quite an interesting experience to fly into the Ituri Forest on my second or third trip there while actually reading Crichton's Congo. Most people will not realize this, but many of the over the top absurd claims made as part of that work of fiction are actually pretty accurate representations of reality! (Except the treasure, the strange apes with the ping pong paddles, the talking lab ape, the camp technology. The rest of it is totally spot on...)

Japanese morality Sci Fi blames scientists. Fifties post nuke Sci Fi blames scientists. Most pre Crichton and pre Star Wars Sci Fi at best makes scientists appear to be totally nerdy, non sensible, non sexy characters who need to be trained or tamed or guided in some way. That interacts with science in a negative way, over the long term. If a particular profession is always depicted a particular way, it becomes perceived in that way, and may in fact eventually become that way.

So, despite the dislike of Crichton, by many scientists, due to certain things he has written or claimed, he is also owed a debt, along with other more recent writers, writers and producers who have made the scientists interesting. And thus, maybe the science will be more interesting as well to some audiences.

Now, I recognize that much (most?) Sci Fi does not have scientists in it, so perhaps I'm speaking here of one or a small number of genres. But never mind. I know that many of you know light years more than I do about Science Fiction .... So have at me ...


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Comments

1

If you like your SF with scientists in it, I recommend James Schmitz' The Demon Breed. The main character is a biologist who uses her knowledge of the local ecology to almost single-handedly repel an alien invasion. Highly sexy.

Most recently released in an omnibus edition, but all the rest of the stories are worth reading too.

Posted by: Stephanie Z | November 24, 2008 10:37 PM

2

"Clarke claims that he and Kubrick wrote the screenplay for 2001 prior to Clarke writing the book on which it was based."

This is well-known. The seed for both the film and the novel was his 1948 short story, "The Sentinel".

http://en.wikipedia.org/wiki/The_Sentinel_(short_story)

Posted by: James Chapman | November 24, 2008 10:40 PM

3

The most important role I see in science fiction is to show people what society could be like. H.G. Well's Time Machine is the first major example of this. 1984 and Brave New World give us masterful examples of warnings, while Bank's Culture novels and the Foundation series grant us glimpses of what could be.

Science fiction tends to use two basic tropes to enable it to speak about society in ways that standard fiction has a hard time doing: technology and the future. Very often the writer uses technology and the future together to extrapolate from what is to what could be, but it is by no means necessary. Science Fantasy and Space Opera tend to eschew the science part and concentrate on the latter, with no loss of their impact. Star Wars and even giant robot anime fall into this category.

Just my $0.02.

Posted by: Roger, FCD | November 24, 2008 10:52 PM

4

I have to completely and utterly disagree with you on Crichton. A lot of what his Sci-Fi was exactly like 50's Sci-Fi. Just about every one of his books that were made into movies has the theme of science gone out of control. What is the Andromeda Strain? What caused Jurassic Park fiasco? Even in lesser movies like Coma and Looker. They are all about scientists losing control over their own research. (Even Congo has a bit of that.)

While I agree that newer Sci-Fi gives a positive spin on scientists (away from the mad scientist of the past), Crichton is not an example of this. He is a slight spin on the old formula.

Posted by: DouglasG | November 25, 2008 2:24 PM

5

So, scientists who are articulate and creative enough to write compelling fiction, live in the world of reality and can deal with that while imagining alternatives. Hm. Let's add politically active and the bonus of being totally hot: David Brin. Smart is sexy.

Old sci-fi is mostly annoying for its focus on whiz-bang gadgetry and lack of interest in how social changes have deep impacts. The best writing combines hard science and how new discoveries change sentient beings, for better or worse. Consider the biotechnology in Niven's A Gift from Earth, for example, or Cherryh's Cyteen series.

Posted by: Luci | November 25, 2008 3:04 PM

6

I think you're right on. A book where scientists and engineers are the protagonists can help a lot. A lot of Isaac Asimov's work is like this -- particularly his robot stories where Susan Calvin et al have to figure out what's wrong with the broken 'bots. In terms of movies, I think Apollo 13 and October Sky are among the best examples of this. One shows engineers using their math, engineering and tinkering skills to solve a problem, the other shows kids actually learning those same skills. And both are among my favorites, because they manage to be exciting and suspenseful at the same time.

As a librarian with a history masters, I've been nudged toward teaching. From my experience of learning history, I've decided that one good way to teach it is to recognize that it is a story -- with heroes, villains, plots, climaxes, mysteries, and everything else that makes for a good novel. Science, now that I think of it while reading this, could work the same way.

John Wesley Powell, who explored the Grand Canyon, was annoyed by the fact that his bored backers wanted to hear more about his adventures than about the science he got out of the trip. He was a soldier and a scientist, not an adventurer! He ended up publishing his journals as they were, and scored a bestseller.

If people could read Darwin's journal from HMS Beagle, would they be more interested than if they had to pore through The Origin of Species? Think about it -- it's like an odyssey all its own -- a voyage around the globe in which the protagonist gradually learns something fantastic about how the world works, and it turns the whole world on its head!

If we could get kids to look at science that way...?

Posted by: JenBurdoo | November 25, 2008 9:22 PM

7

Mostly I have seen more movies and read a few sci-fi books. Sometimes the scientists are good guys who save us from the aliens (who are mostly bad guys except for in Steven Spielberg movies).

And what about women scientists in science fiction? In the old days they were always lab assistants who were spraining their ankles trying to get away from the monster that the (aliens, radiation, military, mad scientist - choose one) created.

Then they became junior members of the science team that had to go into (outer space, underground, deep sea - choose one) and face the (monsters, aliens, mutants) in scary suspense sequences.

Finally, Star Wars, Star Trek Next Generation (and later) put women in full-on leadership/adventurer roles. Star Trek I was reaching for it, but Ahura is still more-or-less a glorified assistant to Kirk.

Posted by: yogi-one | November 28, 2008 5:32 AM

8

I'll agree with you about sci-fi serving as a promoter of science as cool, at least recently. TV shows such as CSI (and its numerous spin-offs), Bones, Numbers and so on show the world science (or maths) being used (however inaccurately) by attractive, cool characters to solve problems, rather than create them. I'll count these as science fiction, in that they often extend science beyond what it can currently accomplish, address fictional cases with fictional characters, and certainly don't stick exactly to reality.

Capturing the public's imagination, and even introducing them to some elements of science is a good thing. There are unfortunate negative effects due to the simplification involved (e.g., the infamous CSI effect), but Sci-fi really can improve the image of science.

As for sci-fi authors that some might like, I'd recommend Robert Sawyer for a light read. Some of his books do have a traditional "science out of control" angle to them, but he does write entertainingly. He's also a Hugo, Nebula, and John W. Campbell memorial award winner, one of only seven authors to win all three.

(the full list of such winners: David Brin, Arthur C. Clarke, Joe Haldeman, Frederik Pohl, Kim Stanley Robinson, Robert J. Sawyer, and Connie Willis)

Posted by: Epinephrine | December 11, 2008 9:22 AM

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