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GrrlScientist is an evolutionary biologist, ornithologist, aviculturist, birder and freelance science and nature writer. A native of the Pacific Northwest, she relocated from Seattle to NYC with her parrots after earning a BS in Microbiology (emphasis in Virology) and PhD in Zoology (Ornithology) from the University of Washington. In NYC, she was the Chapman Postdoctoral Fellow at the American Museum of Natural History for two years, pursuing part of her "dream" research project by reconstructing a molecular phylogeny of the parrots of the South Pacific islands. GrrlScientist and her five parrots are currently relocating to Germany, where she will continue writing her blog while also writing a book and learning German. (Meanwhile, her parrots will continue to nibble on her extensive personal library.) If you appreciate GrrlScientist's writing, you can help pay her living expenses by hiring her to "blog" your conference, speak at your club or write articles for your publication (or by clicking on the Paypal button below). If you read an essay on this blog that you especially enjoyed, please nominate it for inclusion in OpenLab2009.

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Chambers Street/WTC Subway Art, 36

Topic Categories: ArtMy PicturesNYC Subway ArtNYC Through My EyeNYC lifePhotography
Posted on: April 11, 2009 8:59 PM, by "GrrlScientist"

tags: , , , , , , , , ,

Oculus #36, 1998.

Stone mosaic on walls throughout Chambers Street station complex (A & C trains); also, there is a stone and glass floor mosaic at Park Place entrance, which connects to this station via a tunnel.

Artists: Andrew Ginzel & Kristin Jones.

Image: GrrlScientist, 3 January 2009 [larger view].

Oculus is located in passageways under the World Trade Center and was largely untouched by the events of 9/11. Oculus will also be visible at the Cortlandt Street Station after construction is completed. Jones and Ginzel's work consists of over 300 unique mosaic renderings that use the oculus -- the eye -- as the central symbol. In their words, "Oculus was created to personalize and integrate the stations. Eyes are both subtle and strong - they engage passing individuals, allowing for meditation or inviting dialogue." The eyes are from the artists' photographs taken in New York, which were selected for the diversity of the subjects' eyes. An enormous central eye set in the floor, grounds the composition and serves as the centerpiece of a map of the world which radiates outward.

I have photographed glass tile mosaic artworks from several NYC subway stations now, so far, all are westside Manhattan subway lines; including the Christopher Street/Sheridan Square platform, Cathedral Parkway/110th Street platform (downtown-bound 1 train only); the mezzanine walls of the 42nd Street (Times Square) for the A, C and E trains; 42nd street/Times Square upstairs platform (1, 2 & 3 trains); 42nd Street/Times Square passageway between the 8th Avenue/Port Authority Bus Terminal (A, C, & E trains) and the 7th Avenue/Broadway (1, 2, & 3 trains) platforms; West 66th street/Lincoln Center Station (1 train); West 34th Street/Pennsylvania Station (A, C & E trains); Chambers Street (A & C trains); Houston Street (1 train); and Pennsylvania "Penn" station (1, 2 & 3 trains) [subway art archives] and, my favorite subway station of all, the American Museum of Natural History station at 81st and Central Park West (B & C trains) [AMNH archives].

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