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tedkinsman.jpgTed Kinsman is a scientific photographer that specializes in creating images for books, magazines, and television. His particular areas of interest are in x-ray radiography, high-speed photography, Scanning electron microscopy, and time-lapse cinematography. His work has appeared in numerous books and magazines ranging from Discover Magazine to Forbes. Recently his work has appeared on Gray's Anatomy and CSI New York. In addition to running www.sciencephotography.com Kinsman also teaches advanced placement physics at Brighton High School in Rochester, NY, he also teaches advanced macro-photography at Rochester Institute of Technology.


BNSullivan150x200.jpg B.N. (Bobbie) Sullivan has a strong affinity for the sea and everything in it. She first learned to dive in 1970 and has since logged thousands of dives. A wish to document the marine life she encountered prompted her to learn underwater photography more than 20 years ago. More recently, she began to write about the marine life she has photographed. A research psychologist by profession, she approaches her subject matter with the mindset of a scientist, but targets her writing to a general readership in whom she hopes to foster an appreciation for the ocean and its inhabitants.

Bobbie lives in Hawaii with her husband. Together they produce TheRightBlue.com, where you can see more of Bobbie's photos and writing.


bjeffersonbolenderOpt.jpg B Jefferson Bolender is Training Coordinator of the State of Arizona's program for disability awareness and assistive technology. Through her travels she always has a camera at hand to photograph everything from people to technology and nature. As a teacher of elementary education, special education and art, her interests include a wide array of subject matter with an emphasis on documentation with an artist's eye.

See more of her work in her photo stream on Flickr and the website atarizona.com.


jurvetson.jpg Steve Jurvetson enjoys rocketry and photography and especially the pursuit of both in the Black Rock Desert. Some action photos and video links can be found here.

Steve is a Managing Director of Draper Fisher Jurvetson (DFJ.com), a leading venture capital firm with affiliate offices around the world.

He was the founding VC investor in Hotmail, Interwoven, and Kana. Previously, he was an R&D Engineer at HP, and his prior technical experience also includes programming, materials science research, and computer design. He has a B.S. in Electrical Engineering, an MSEE and and MBA, all from Stanford University.


alex.jpg Alex Wild is a postdoctoral researcher at the University of Illinois at Urbana-Champaign where he works on the molecular phylogenetics of various groups of insects. He is also a part-time photographer whose images appear in such venues as Ranger Rick, Smithsonian, BBC Wildlife, and even ScienceBlogs.

Alex's galleries are viewable at www.alexanderwild.com, and he normally blogs at Myrmecos Blog.


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« Another way to humanize an insect photo... | Main | Agrarian Ants »

The digital revolution and the mainstreaming of arthropods

Category: InsectsPhotography
Posted on: April 29, 2009 12:22 PM, by Alex Wild

[This is a repost from the Myrmecos Blog, originally published February 2008]

macro2s.jpg

In 1934, a diminutive book by an unknown author seeded the largest conservation movement in history. The book, Roger Tory Peterson's A Field Guide to the Birds, pioneered the modern field guide format with crisp illustrations of diagnostic characters, all in a pocket-sized read. The Guide sold out in a week, but the book's effects are ongoing.

To understand the magnitude of Peterson's impact, consider how naturalists traditionally identified birds. They'd take a shotgun into the field, and if they saw something of interest they'd kill it. Birding was necessarily limited to the landed- and armed- gentry. The technique wasn't so good for the birds either.

Peterson's guide, together with the advent of affordable binoculars, brought nature watching to the masses. Anyone could use Peterson's beautiful illustrations of diagnostic characters to learn their local avifauna, sometimes from the comfort of the living room. The subsequent popularity of birdwatching, now the most practiced outdoor recreation in the United States, is arguably one of the biggest factors behind the conservation and environmental movements of the last half-century. A nation of birdwatchers protects its birds.

We are currently in the midst of a similar transformation, albeit one smaller than that wrought by Peterson. The present awakening concerns creatures only a few millimeters long, and the catalyst is digital photography.

A great many more people are photographing a great many more small things than ever before. A Flickr search on "insects" generates nearly half a million photographs. A Google image search returns over 2 million. Most of this new insect imagery isn't the product of entomologists or specialist macrophotographers. It's from people who have discovered the beauty of insects and arachnids using the gadgetry of the digital revolution.

There seem to be two factors in the rise of arthropod photography. The first is technical. For a variety of reasons related to sensor and lens sizes, digicams have a pretty impressive macro capability relative to the point-and-shoot cameras that served the same segment of the consumer market a technological generation ago. The second has to do with the sheer abundance of insects and arachnids. When people with shiny new gadgets go looking for pretty things to photograph, their yards yield all sorts of entomological treasures.

A fine example of a digital bug convert is Mark Plonsky, who now has one of the most visited insect photography galleries on the web, but there are legions of newly active arthropod photographers: Photographing the Earth, Allon Kira, Brian Valentine, Tal Sapoznikov, Birte Ragland, Pawel Bieniewski. The photo-sharing site Smugmug, in addition to hosting communities for macro and insects, has an active community dedicated just to butterflies. The burgeoning interest in arthropods has supported several new field guides, and the online identification site bugguide.net (highly recommended, by the way) receives thousands of visitors every day.

What are the implications of a larger general interest in arthropods? I don't know, but I would like to think they would be similar to those of Peterson's guide. An elevated interest in biodiversity could help sustain conservation efforts. It certainly means a greater appreciation of life's diversity, and that can't be a bad thing.

If you are one of these new-found macro enthusiasts, give a shout out and link your gallery in the comments.

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Comments

I'm guessing my link laden comment (and perhaps others?) got snared by the spam filter. But I wanted to highlight how inspirational your work has been to me and surely many other wannabe arthropod photographers, Alex. I could never really get into nets, kill jars and pins, but my modest digicam has helped me to learn about and appreciate arthropods in a way I would never have imagined.

Posted by: neil | April 30, 2009 1:25 AM

The same is also true for many underwater species - the boom in recreational scuba helped increase knowledge of things like tropical nudibranchs but since the advent of cheap digital macro and underwater housings the increase in interest and our collective knowledge is mind-numbing. As a fan of, and occasional blogger about, both terrestrial and ocean inverts this makes me happy.

Posted by: tai haku | May 4, 2009 1:51 PM

Interesting article; I certainly hope you're right!

Posted by: Sonya | May 7, 2009 11:37 PM

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