Castrati played heroic male leads in Italian opera from the mid-17th to late 18th century when the bel canto was the rage in Europe. Farinelli, born Carlo Broschi in 1705, was the most famous of them all, in a stage career lasting from 1720 to 1737.
Carlo Vitale of the Farinelli Study Center in Bologna said they had recovered the bodies on Wednesday of the singer and his great-niece, who moved his body from a first grave destroyed in the Napoleonic wars.
His final resting place in Bologna's Certosa cemetery was only recently discovered.
"They are in a middling state of preservation but the scientists say there is something to work on," Vitale told Reuters from the graveyard, where Farinelli and his great-niece lay beneath a tombstone with a long Latin epitaph.
His remains were to be taken to Bologna University for study by a team of scientists including an accoustics expert eager to find remains of the vocal chords and larynx to discover what gave castrati such extraordinary vocal range and power. (Emphasis mine.)
Gawker has summarized my feelings well:
We're no scientists or nothin', but we're gonna guess it had something to do with cutting their balls off.
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