Copyright
awild | December 14, 2009A couple years back I posted a short bit on how to register photo copyright with the U.S. government. That turned out to be the last time I filled out a registration with pen and paper. For all subsequent submissions I've used the new ECO system at http://www.copyright.gov/eco.
Let me disabuse you of any preconception that the online method is easier. You'll need to clear an hour or two out of your schedule to prepare a submission. The new process involves clicking though an interminable array of confusing steps, filling out an order of magnitude more information than was requested in the…
wcrawford | July 6, 2009A couple of days ago, on Walt, Even Randomer, I posted a set of desultory reviews of the fourth and final DVD of Alfred Hitchcock: The Legend Begins.
Sidebar: One eccentric feature of this blog used to be the "treadmill movie reviews," brief reviews of movies from Mill Creek Entertainment's multidisc packs viewed while I was exercising. I've reviewed a little more than 300 movies over several years. In moving to this more august site, I left the reviews behind and am not posting new ones here; that's one of few things still being posted on Walt, Even Randomer. The treadmill's gone as well--…
bioephemera | April 30, 2009I promised you some updates on the Google Books Settlement, so here you go. Things are definitely getting interesting.
First, I mentioned earlier that I was going to attend a panel on the Google Book Search Settlement here in DC, featuring representatives of Google, the publishers, and the Internet Archive. ITIF, which organized the panel, has made the entire thing available online; I've linked to it at the bottom of the post, because it's over an hour long.
Anyway, it was interesting to hear the (very civil) differences of opinion between Dan Clancy, the Engineering Director for Google Book…
bioephemera | April 5, 2009It's just not Google's week. A mob of angry villagers north of London formed human chains and chased off the Google Maps car (no word whether they had torches). Microsoft is all up in Google's business (to be precise, they're funding a team at New York Law School's Institute for Information Law and Policy, led by a former Microsoft programmer, which is weighing in on the pending settlement of Google's book-scanning lawsuit). And it's not just Microsoft that's taking aim at Google: the NYT has an overview of the many parties, from librarians to law professors, who have serious doubts about…
jwilbanks | January 26, 2009In the first post, I talked about how factual data aren't creative works, and how compiling them into collections doesn't make them creative - at least in the US.
This aspect of data rips away the core "incentive" provided by copyright law to creators: the right to sue people who make copies. It also has a second aspect, which is that the international treaties that govern copyright don't apply. Whatever one may think of those treaties, they do a fair amount to normalize the laws worldwide - a copyright on a Britney Spears tune applies in much the same way in wildly different countries. For…
jwilbanks | January 24, 2009I got drawn into a debate about copyrights and factual data this week that felt like it merited its own blog post. It was kind of surreal new media debating - I was going back and forth with a smart guy from the UC Berkeley school of information on a friend's Facebook wall for most of a day on the topic. It was definitely a change from the typical FB chatter and in some ways the character count constraints of a wall post were formative to the debate. But some of the questions raised deserved long answers, and the issues involved are complicated and subtle and non-obvious. Hopefully moving the…
awild | October 1, 2008This morning I had to deny a scientist permission to use my photos of her ants in a paper headed for PLoS Biology. I hate doing that. Especially when I took those photos in part to help her to promote her research.
The problem is that PLoS content is managed under a Creative Commons (=CC) licensing scheme. I don't do CC. Overall it's not a bad licensing scheme, but for one sticking point: CC allows users to re-distribute an image to external parties.
In an ideal world, non-profit users would faithfully tack on the CC license and the attribution to the photographer, as required by the…
awild | January 28, 2008Last week I performed my semi-annual copyright registration ritual, and in the middle of the paperwork it occurred to me that this might make an absolutely scintillating blog post. So, here's why copyright registration is important, and here's how to do it.
U.S. law is generous towards photographers. Photographs are automatically copyrighted as soon as they are taken. It doesn't matter if you're taking happy snaps of your pet cat or professionally shooting a Hollywood premiere- you have the copyright.
What does having a copyright do for you? Not very much, it turns out. If you'd like…
awild | January 9, 2008People occasionally ask why I don't assign my photos a Creative Commons license. Dan Heller explains. And adds a horror story here.
The short of it is, while Creative Commons was established with the best of intentions it is easily abused in the photographic setting. Users unknowingly open themselves up to large legal risks, and I find photo licensing by traditional means to be both more secure and more professional.