opera
I wonder if the original old fashioned operas were like this, about events of their times, and thus engaging and compelling like this one is. Plus, ROFLMAO.
Check it out:
After announcing in September that they had detected neutrinos traveling faster than the speed of light, OPERA researchers immediately set out to replicate their results. On Uncertain Principles, Chad Orzel says they reconfigured the neutrino beam, which originally fired 10,000-nanosecond pulses, "to produce much, much shorter pulses—less than 10ns. And while they've only been running this way for a few weeks, they've already got 20 neutrino detections from the shorter pulses, and they see exactly the same timing anomaly." This confirmation rules out problems with the original experimental…
The innovative new opera by Tod Machover, Death and the Powers, opens this Friday for its world premiere in Monte Carlo at Opéra Garnier de Monte-Carlo. Machover gave Festival-goers a sneak peak of this hugely ambitious work earlier this summer at the 2010 World Science Festival, which included a thought-provoking conversation with AI legend Marvin Minsky.
The opera—a brainchild of Machover's Opera of the Future Group at the MIT Media Lab in co-production with American Repertory Theatre—explores transhumanist and existential territory, such as mortality and theory of mind, as well as…
I was dragged screaming from work at the riducously early hour of 7:20 on friday night, by my wife, to listen to this. Being a barbarian, and knowing only that it was by Debussy, I assumed it was a concert. But no, 'tis an opera, although possibly a slightly odd one, since it is largely a transcription of Maeterlinck's play in which people sing lines others would just say. As the opera notes said, and wiki later confirms, this is a "symbolist" play, and we had good fun spotting "symbols", which was most of it. For example at one point there is an odd scene in which Yniold sees the sheep not…
The music from the Darwin Electro-Opera I mentioned a while back is now available for free, streaming on Pitchfork!
(via Nick)
There have been a lot of great Darwin themed things popping up in the past few months in celebration of the 150th anniversary of On the Origin of Species, but none as avant garde and awesome as "Tomorrow, in a year", an electro-opera based on the life and work of Charles Darwin by The Knife, a Swedish electronic music duo (and one of my favorite bands). From the website of the company performing the opera, Danish theater group Hotel Pro Forma:
An opera singer, a pop singer and an actor perform The Knife's music and represent Darwin, time and nature on stage. Six dancers form the raw material…