Concert Review: the Mars Volta in Stockholm

i-5051f4cc990eca69fa4183effa9101cf-marsvoltaIMAGE_00122lores.jpg

After work today I had dinner with my friends Asko & Eva and then went to the Cirkus concert venue to hear the Mars Volta. For those of you who have missed them, they're a US psychedelic progressive rock outfit whose fourth album just entered the US top-10 at #3.

The band was an octet tonight: singer, lead guitar, drum kit, bass and keyboards, plus a rhythm guitarist who also played keyboard, a saxophonist who also played flute and percussion, and a percussionist who also played a keyboard. Yes, there were at least five keyboards on stage.

The set was about 2.5 hours long, covering all albums except the second one, I believe. I would have liked to hear some of the mutated merengue piano from that disc. The playing was intricate and energetic, extremely tightly rehearsed, with very good sound engineering, not too loud -- but it was all a bit too much of a good thing for me. I kind of tuned out toward the end. Because really, though I love the Mars Volta, I would never listen to their intense albums for 2.5 hours without pause.

I was surprised to hear a song based on a barely modified version of the bass riff of Black Sabbath's 1970 track "Hand of Doom". Can anybody tell me what song that was?

The Mars Volta is one of this decade's signature rock bands: effortlessly productive and wildly creative. With a multiracial lineup, lyrics in English and Spanish and surrealist imagery both in the lyrics and the visuals, they feel very much like heralds of the future of US rock music. Highly recommended in judicious doses!

Posted an hour and a half after the end of the gig.

Update 23 February: Kat points out that the song with the stolen Sabbath riff is "Goliath" from the Mars Volta's latest album, Bedlam in Goliath.

[More blog entries about , , , , ; , , , .]

More like this

Last night to Tantogården in Stockholm, an outdoor concert venue a stone's throw from the hospital where my son was born, to hear Pugh Rogefeldt. As the long-term Dear Reader may remember, Mr Rogefeldt released Ja dä ä dä, one of the first and still among the very best Swedish psychedelic rock…
Last night I had the pleasure of catching two of my home town's best live music acts, each playing in a basement venue a couple of hundred meters apart on Stockholm's southern island. The Crawfish Cook and the Skandalites are both 60s-70s cover bands, but since they cultivate genres I usually don'…
Last night's Hayseed Dixie gig rocked. This is the bluegrass band playing metal songs that I blogged about recently. Me and Paddy K went there after checking out some stand-up comedy with the ladies. We had been given the wrong starting hour, so we arrived at the Debaser Slussen club in the middle…
Marshmallow Coast's 2000 offering Coasting is one of my favourite albums: quirky and cool neopsych with a lot of acoustic guitar and off-key singing. 2002's Ride The Lightning also has some great songs (listen to "Classifieds"!), but their 2003 production Antistar is boring if not downright bad. It…

i saw the mars volta a few years back and had a similar experience. it was awesome and unrelenting, and i was completely exhausted after about a half hour. and they were just the opening act.

I think the song you're talking about is "Goliath"... I actually downloaded the Black Sabbath song to try to figure it out.

Yes, that's definitely it! Thanks! I'm all for stealing good bits, but it's usually not a good idea to steal prominentl from classic albums that your entire fanbase already cherishes and reveres.