- Stellardrive, Inlandsix: Reasonably good instrumental prog. They're
not particularly exceptional, but they're decent. - Gong, "The Octave Doctors and the Crystal Machine": Gong is a
perfect example of one of the differences between the great prog bands,
and a lot of the neo-progressive stuff. I can't quite describe exactly what it
is - but you listen to a band like Gong, and you never get bored. You can listen
to it over, and over - and it's always interesting. Even though the individual
features of the music are similar to what a lot of less brilliant bands do,
they manage to put them together in a different way. I can listen to a neo-prog
band like Jadis or Frost once or twice a month; if I listen to them more than
that, they start to bug me. But I can listen to Gong twice a day, and never
lose interest. - Parallel or 90 Degrees, "Backup": One of the really great neo-progressives.
Po90 is Andy Tillison's other band, and they are brilliant. Not as brilliant as
groups like Gong, but pretty damned amazing. - Jadis, "All You've Ever Known": Here's exactly what I'm talking about.
The beginning of this Jadis track is actually sort-of like the Gong track above.
But somehow, it's dull when Jadis does it. Listening to them right after
Gong and Po90, they frankly sound terrible. I really like Jadis, but they can't
hold a candle to the prog greats. - And So I Watch You From Afar, "If it Ain't Broke, Break It": Really good
post-rock. ASIWYFA is on the louder end of post-rock, and they're really good
at it. They're one of my most recent post-rock discoveries, after being recommended
to me by a reader of the blog, and I'm really enjoying them. - Genesis, "Your Own Special Way": And now, my favorite band of all time.
I love Genesis. Even after Peter Gabriel left, they still wrote some of the
best prog rock of all time. There's a reason why so many neo-prog bands were
inspired by them. Even when they're doing a song like this, which is basically a silly sappy ballad,
they make it into something really special. - Jacob Hoffman with Kandel's Orchestra, "Doina and Hora": an incredibly old
recording of traditional klezmer, led by probably the greatest Klezmer xylophone player
ever. If you have any appreciation for Klezmer, this will absolutely knock your
socks off. - The Flower Kings, "Soul Vortex": Ah, the Flower Kings. The only
neo-progressive band that I've found that's really as good as the original
prog guys. Whatever that elusive "it" that the great bands had that made them
endlessly listenable was, Roine Stolt and the Flower Kings have it. - Transatlantic, "The Return of the Giant Hogweed": On their latest album,
Translatlantic added a disk of covers of their influences. Naturally, no
group made up of members of the best neo-progressive bands could possibly
not include a classic Genesis track. It's a very faithful cover, and
it works really well. - Marillion, "Forgotten Sons": An old favorite of mine: one of the
lesser known tracks from Marillion's very first full album. From the
very start, Marillion was really something special.
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More like this
Peter Hamill, "The Unconscious Life": A track from an amazing live
performance. In general, I'm not a big fan of live recordings - you really need
to be there for a live performance. There's a dynamic between the performer
and the audience in live music, and in a recording, you're listening…
John Corigliano, "Fantasia on an Ostinato": Corigliano is absolutely my
favorite modern composer. He writes stunningly beautiful music. This is a wonderfully
subtle piece: unaccompanied solo piano. Just incredible.
Isis, "Not in Rivers, But in Drops": The transition between the last one
and…
Explosions in the Sky, "Yasmin the Light": beautiful post-rock.
Kansas, "Miracles Out of Nowhere": Old Kansas - great stuff.
The Flower Kings, "Starlight Man": People who've read my FRTs know
that I pretty much worship the ground Roine Stolte walks on. Even a short,
simple ballad like this…
Transatlantic, "The Whirlwind (Part 4) - A Man Can Feel":
a track from the new Transatlantic album. Transatlantic is
a supergroup: it's made of members of Marillion (Pete Trevawas on
bass), the Flower Kings (Roine Stolte, guitar), Spock's Beard (Neil
Morse, vocals and keyboards), and Dream…
It's been a while. :-)
More recently than the publication of the last Random Ten, I uploaded a medley of short excerpts from my favourite CDs. http://outerhoard.wordpress.com/2010/03/13/nine-cds/
They're not prog, but based on other genres that crop up in Random Tens now and then I have a feeling you'd like most of them. Any favourites?
Do you know GSY!BE?
You might like them.