Austin Bramwell makes a point that has been noted elsewhere:
Instead, perhaps a plurality of the rich private school kids in Manhattan--even at historically Protestant schools--are Jewish. The Jewish Daily Forward goes so far as to report that Trinity and Dalton, two of the top private schools in New York, are “largely Jewish.” An entire media industry follows the lavish bar mitzvahs of Manhattan private school kids. The closest real-world model for the high school in Gossip Girl, The Dalton School, has historically been the most recherché school for Jewish New Yorkers. (Most WASPs prefer to send their children to the old single-sex grammar schools.) Tellingly, the media now treat Dalton as the most posh school in Manhattan.
In Gossip Girl, however, Jewish kids don’t even exist, much less predominate. Everything about Gossip Girl is modern, from the drugs to the iphones, except for the sociological background, which the writers may as well have lifted out of the Gilded Age.
Austin Bramwell knows whereof he speaks; he is a New York City WASP whose marriage was noted in The New York Times. I do find it interesting that many contemporary works exhibit this bizarre sociological tick, the transposition of an older cultural hegemony into the present day. It reminds me somewhat of science fiction, though it is ostensibly a genre of the future it often tells us much more about the time in which it was written.
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Austin Bramwell believes the studios go after the ones who won't fight back. WASPs are traduced but eschew ethnic pressure groups for benign enviromental causes. Hmmm... I think he has left something out of the equation there.
Still the shows, movies and books that he refers to need a market. The inescapable fact is that the lower class WASPs who consume these things enjoy the stories where WASPs are all powerful and - lets face it - evil in their execise of that power. It would be inconceivable to sell other "wealthy groups" on their own moral culpability in this way.
Uhm, a little background please. What's "Gossip Girl"?
In 'Cruel Intentions' the gilded elite were all Catholic for some reason.
"In 'Cruel Intentions' the gilded elite were all Catholic for some reason."
Maybe because 'Cruel Intentions' was a modern-day retelling of Les Liaisons Dangereuses, and they were replicating the social structure of pre-revolutionary France? (I'm kidding, I think.)
I doubt Les Liasons Dangereuses has a girl promising her stepbrother that he can "Put it anywhere"