Via a bunch of people, but most directly Matt Ruff, the Guardian has published a list of "1000 Novels Everyone Must Read". Which has triggered the usual flurry of procrastinatory blog posts indicating which books from the science fiction and fantasy sub-list one has and hasn't read.
I have other things I really ought to be doing, so of course, I had to follow suit. Below the fold is my list, following Matt's convention of marking in bold face those books that I've read all the way through, and putting an asterisk (*) after books I've started or skimmed, but never fully read.
- The Hitchhikers Guide to the Galaxy by Douglas Adams
- Non-Stop by Brian W Aldiss
- Foundation by Isaac Asimov
- The Blind Assassin by Margaret Atwood
- The Handmaid's Tale by Margaret Atwood
- In the Country of Last Things by Paul Auster
- The Drowned World by JG Ballard
- Crash by JG Ballard
- Millennium People by JG Ballard
- The Wasp Factory by Iain Banks
- Consider Phlebas by Iain M Banks
- Weaveworld by Clive Barker
- Darkmans by Nicola Barker
- The Time Ships by Stephen Baxter
- Darwin's Radio by Greg Bear
- Vathek by William Beckford
- The Stars My Destination by Alfred Bester
- Fahrenheit 451 by Ray Bradbury
- Lost Souls by Poppy Z Brite
- Wieland by Charles Brockden Brown
- Rogue Moon by Algis Budrys
- The Master and Margarita by Mikhail Bulgakov* (I got about halfway through it on a plane flight, and then never finished it)
- The Coming Race by EGEL Bulwer-Lytton
- A Clockwork Orange by Anthony Burgess
- The End of the World News by Anthony Burgess
- A Princess of Mars by Edgar Rice Burroughs
- Naked Lunch by William Burroughs
- Kindred by Octavia Butler
- Erewhon by Samuel Butler
- The Baron in the Trees by Italo Calvino (What, no If On a Winter's Night a Traveler?)
- The Influence by Ramsey Campbell
- Alice's Adventures in Wonderland by Lewis Carroll
- Through the Looking Glass and What Alice Found There by Lewis Carroll
- Nights at the Circus by Angela Carter
- The Passion of New Eve by Angela Carter
- The Amazing Adventures of Kavalier and Clay by Michael Chabon
- The Man who was Thursday by GK Chesterton
- Childhood's End by Arthur C Clarke
- Jonathan Strange & Mr Norrell by Susanna Clarke
- Hello Summer, Goodbye by Michael G Coney
- Girlfriend in a Coma by Douglas Coupland
- House of Leaves by Mark Danielewski
- Pig Tales by Marie Darrieussecq
- The Einstein Intersection by Samuel R Delaney
- Do Androids Dream of Electric Sheep? by Philip K Dick
- The Man in the High Castle by Philip K Dick
- Camp Concentration by Thomas M Disch
- Foucault's Pendulum by Umberto Eco
- Under the Skin by Michel Faber
- The Magus by John Fowles
- American Gods by Neil Gaiman
- Red Shift by Alan Garner
- Neuromancer by William Gibson
- Herland by Charlotte Perkins Gilman
- Lord of the Flies by William Golding
- The Forever War by Joe Haldeman
- Light by M John Harrison
- The House of the Seven Gables by Nathaniel Hawthorne
- Stranger in a Strange Land by Robert A Heinlein
- Dune by Frank L Herbert
- The Glass Bead Game by Herman Hesse
- Riddley Walker by Russell Hoban
- The Private Memoirs and Confessions of a Justified Sinner by James Hogg
- Atomised by Michel Houellebecq
- Brave New World by Aldous Huxley
- The Unconsoled by Kazuo Ishiguro
- The Haunting of Hill House by Shirley Jackson
- The Turn of the Screw by Henry James
- The Children of Men by PD James
- After London; or, Wild England by Richard Jefferies
- Bold as Love by Gwyneth Jones
- The Trial by Franz Kafka
- Flowers for Algernon by Daniel Keyes
- The Shining by Stephen King
- The Victorian Chaise-longue by Marghanita Laski
- Uncle Silas by Joseph Sheridan Le Fanu
- The Earthsea Series by Ursula Le Guin
- The Left Hand of Darkness by Ursula Le Guin
- Solaris by Stanislaw Lem
- Memoirs of a Survivor by Doris Lessing
- The Chronicles of Narnia by CS Lewis
- The Monk by Matthew Lewis
- A Voyage to Arcturus by David Lindsay
- The Night Sessions by Ken Macleod
- Beyond Black by Hilary Mantel
- Only Forward by Michael Marshall Smith
- I Am Legend by Richard Matheson
- Melmoth the Wanderer by Charles Maturin
- The Butcher Boy by Patrick McCabe
- The Road by Cormac McCarthy
- Ascent by Jed Mercurio
- The Scar by China Mieville
- Ingenious Pain by Andrew Miller
- A Canticle for Leibowitz by Walter M Miller Jr
- Cloud Atlas by David Mitchell
- Mother London by Michael Moorcock
- News from Nowhere by William Morris
- Beloved by Toni Morrison
- The Wind-Up Bird Chronicle by Haruki Murakami
- Ada or Ardor by Vladimir Nabokov
- The Time Traveler's Wife by Audrey Niffenegger
- Ringworld by Larry Niven
- Vurt by Jeff Noon*
- The Third Policeman by Flann O'Brien
- The Famished Road by Ben Okri
- Nineteen Eighty-Four by George Orwell
- Fight Club by Chuck Palahniuk
- Nightmare Abbey by Thomas Love Peacock
- Titus Groan by Mervyn Peake*
- The Space Merchants by Frederik Pohl and CM Kornbluth
- A Glastonbury Romance by John Cowper Powys
- The Discworld Series by Terry Pratchett
- The Prestige by Christopher Priest
- His Dark Materials by Philip Pullman
- Gargantua and Pantagruel by Francois Rabelais* (I read bits of it for a class on comedy in college)
- The Mysteries of Udolpho by Ann Radcliffe
- Revelation Space by Alastair Reynolds
- The Years of Rice and Salt by Kim Stanley Robinson
- Harry Potter and the Philosopher's Stone by JK Rowling
- Satanic Verses by Salman Rushdie
- The Female Man by Joanna Russ
- Air by Geoff Ryman* (I got maybe a hundred pages in, but needed something lighter to read, and never got back to it)
- The Little Prince by Antoine de Saint-Exupery
- Blindness by Jose Saramago
- How the Dead Live by Will Self
- Frankenstein by Mary Shelley
- Hyperion by Dan Simmons
- Star Maker by Olaf Stapledon
- Snow Crash by Neal Stephenson
- The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
- Dracula by Bram Stoker
- The Insult by Rupert Thomson
- The Hobbit by JRR Tolkien
- The Lord of the Rings by JRR Tolkien
- A Connecticut Yankee in King Arthur's Court by Mark Twain
- Sirens of Titan by Kurt Vonnegut
- The Castle of Otranto by Horace Walpole
- Institute Benjamenta by Robert Walser
- Lolly Willowes by Sylvia Townsend Warner
- Affinity by Sarah Waters
- The Time Machine by HG Wells
- The War of the Worlds by HG Wells
- The Sword in the Stone by TH White
- The Old Men at the Zoo by Angus Wilson
- The Book of the New Sun by Gene Wolfe
- Orlando by Virginia Woolf
- Day of the Triffids by John Wyndham
- The Midwich Cuckoos by John Wyndham
- We by Yevgeny Zamyatin
The original "meme" called for italicizing books that you intend to read, but I was surprised to find that there aren't any of those, other than the ones marked with an asterisk. It also suggested striking through books you wouldn't be caught dead with, but there aren't a lot of those, either.
I make it 53 out of 149 read, which isn't as high as it might be. I blame the excessive Britishness of the list, which includes a number of books I've never even heard of, while slighting some American authors (no The Moon Is a Harsh Mistress? No I, Robot?).
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Alas, no Cryptonomicon. I suppose it might be missing on the grounds that it's fiction with a lot of science rather than (speculative) science fiction. Still though, it's one of my favorites.
No Jules Verne? Plus, the list mixes together fantasy and SF with a lot of great titles from both categories being left out.
And no Jules Verne on the SciFi list, but strangely A Journey to the Centre of the Earth is on their "War and Travel" list, along with Around the World in 80 Days.
Saying everyone must read these 1,000 novels is retardulous. If you read a novel a week it would take you 20 years. It can't be the case that everyone 'must' do something that most people aren't going to do.
But that's a language problem. Much more important is the problem of size. A list that long is as pointless as the bloggers who have 500 sites in their blogroll. If I'm looking for an interesting site, and you tell me you favor 7 particular sites, I'll check a few out. You've been selective. If instead, you give me the phone book, I know your standards are lower, the average quality of the sites will be lower, and I won't bother.
"Fight Club"?
A very strange list. "The Monk" and "The Castle of Otranto", "The Magus" and "Orlando", "Glass Bead Game" ??? No John Brunner, no Asimov (arguable), no Niven, no short stories ("Solaris" instead of "A Perfect Vacuum"), "Stranger In a Strange Land" instead of "The Moon is a Harsh Mistress". All of Discworld, but no Brin. Toni Morrison, but not Borges? It reads more like a list made by a literature professor who looks down on science fiction/fantasy more than a bit so puts in their favorite not-quite-mainstream fiction (it has been a while - but I'm not sure that some of these are even halfway reaonably labelled as science fiction at all) and overlooks interesting and (perhaps) important genre titles.
@Bob
The first rule of "best of" lists that include Fight Club--Do not talk about lists that include Fight Club. The second rule, don't blog about them either.
OK, so clearly the list is fantasy as well as science fiction, but even then it's bizarre. The House of the Seven Gables? Really? It's been a long time, but I don't remember anything there that would qualify as fantasy. The Unconsoled? Pretty sure that doesn't qualify either.
No Tiptree? No Sturgeon? No Wilhelm? No Morrow? No Crowley? No Lieber? No Blish? No L'Engle? No Lafferty? No Rucker? No Ellison?
(Okay, the first- and last-named in that litany are best known for their shorter pieces, but if a yard-long series like Discworld can be counted, why not anthologies?)
And if this list contains landmarks of no real lit'ry value like A Princess of Mars, relatively obscure titles like Only Forward, and fragments of larger works (Hyperion, Titus Groan, Revelation Space, etc), it seems ill-conceived as either a collection of masterpieces or as a comprehensive overview of the field(s).
On the rare occasions when asked for recommendations by readers new to sf, I prefer to steer them to the Nebula collections or best-of-year anthologies if lacking time to grill them on their preferences in mundane fiction for custom match-making.
jefu @ 6: Niven and Asimov are on the list.
Since the list is meant to be what "everyone must" read, it makes sense to me that it's a bit short on titles that are mainly of interest to fans of a specific genre, and given that it's one of only seven categories, it makes sense that it defines SF&F very loosely. That said, I would certainly include Crowley, Borges and perhaps Lafferty. But I would disinclude Darwin's Radio and Revelation Space, both of which I thought were distinctly mediocre. And I agree that the list is too Anglocentric--where's Richard Powers, for example?
For what it's worth, I've read 81 of these titles, and most were very good, even if they wouldn't make my personal top 81. That's a lot better than most such lists manage to do, and makes me interested to read the rest.
Matt Springer @ 1: Cryptonomicon made the list under "War & Travel." I enjoyed it a lot, but it seems weird having a book on the list that's strongly reminiscent of an earlier book on the list (Gravity's Rainbow).
Glad though I am to see Ken Macleods book "The night sessions" on there, (I am saving it up for a rainy day), I am totally lost about some of the rest of the list.
I agree with Pierce and Jefu about the lack of some authors, moreover, there are many people such as Angela Carter that I do not know anything about. I can only conclude that they are fantasy authors, and I don't read much fantasy. the
A lot of folks around here hit that thousand mark by 9th grade.
Would add "The Martian Chronicles" by Ray Bradbury. Listing "Hyperion" alone makes sense as it is far and away the standout in the trilogy. Also, "Slaughterhouse Five" by Kurt Vonnegut - a profound book. Great list!
I cannot help but notice that only 22 of those books (and that's being generous and counting a couple of names I don't recognize, but could conceivably be men instead -- I didn't bother to check out a "Hilary" or a "Nicola" -- and I didn't count Kim Stanley Robinson, whom I know to be a man) are written by women. Since some of those women have multiple books on the list, we're looking at an even lower number of women represented. Interesting.
I'm sure a count of non-white authors on the list would be even more interesting.
I agree with jefu that this list seems to have been put together by someone who doesn't actually read much sci fi or fantasy. I mean, okay, Flowers for Algernon involves a medical procedure that (presumably) isn't actually possible. But I would not call it fantasy, let alone science fiction--any more than I would consider The Poisonwood Bible to be SF/F (actually, I'd say Poisonwood is more fantasy-y than Algernon).
And like Rebecca, I'm disappointed that there aren't many female authors. I'd like to have seen, at the very least, A Wrinkle in Time and The Mists of Avalon on the list. And at least one of Anne McCaffrey's Pern books would not be amiss, either (or even one of her Freedom novels).
And come on--Philosopher's Stone is on the list as the only HP representative? Yes, it was the first--but definitely not the best by a long shot. Makes me wonder exactly how these books were chosen.
And like Rebecca, I'm disappointed that there aren't many female authors. I'd like to have seen, at the very least, A Wrinkle in Time and The Mists of Avalon on the list. And at least one of Anne McCaffrey's Pern books would not be amiss, either (or even one of her Freedom novels).
I'm with you on A Wrinkle in Time (which probably got left off for being too YA-ish, but if you're going to exclude books for a young audience, how does Harry Potter stay on the list?), but The Mists of Avalon and the Pern books are just dreadful. I'm not all that sorry to see them left off.
Some McKinley or McKillip, now...
I'd actually say 1/3 is pretty good for a list of books that someone else tells you you should have read. Then again what "must read books" really means are "books generally regarded as good" which has a corollary of "books that a lot of people DO read because they are generally regarded as good" and suddenly the whole thing has become a statistics problem...
(PS: I've only read 18. Not a big fiction reader, period)
The biggest omission I see is anything by Jack Vance, who has a ton of seminal work (The Dying Earth, The Dragon Masters, To Live Forever...) and was clearly an influence on Robert Silverberg (and, hey, no Dying Inside or Lord Valentine's Castle?) and Gary Gygax among others.
I'm glad to see Ursula K. LeGuin on the list, but how about Mary Stewart's Merlin novels?
Bernard Wolfe's Limbo should toss off Virginia Woolfs' Orlando. I mean, wtf? Yep, this seems a list by a lit prof who doesn't really grok SF, but is v proud of grokking the word "grok".
And why THAT Heinlein, hmm? It is a v different book if you read it in the 1960's vs today. Kind of like watching Equus today, with its embarrassingly wrongheaded Psychology; it was breathtakingly bold in the 1970's, now cringeworthy.
The Lit. professors just adore the magical realists, (as do I), but they have tried for decades to convince us that those are Serious Literature, not to be confused with contemptible "Sci-Fi" Guardian list is jam-packed with magical realists, which may indicate that SF is academically respectable. Good enough. I still wish the listmakers had purchased a clue from real SF editors.
I, too, noticed the list has landmark books of dubious readability. So is this a list for readers or lit majors? That a book begins a type or subgenre (Neuromancer, Foundation) does not make the best example of its type.
The Little Prince is here. Why? The Earthsea books are here, ALL of them, apparently. Why not just the trilogy? Titus Groan is here, but not the whole Gormenghast cycle. Only the first, (in so many ways the least), Harry Potter novel? Yet all of the Discworld satire? No L'Engle, no Susan Cooper? Yet there's PD James and here's GK Chesterton. Two Angela Carter yet one Vonnegut...
I love Jack Vance, but he has "minor specialty author" written all over him. For that sort of thing, I would go back to Dunsany or Cabell instead (probably Cabell, since Dunsany was much better at short fiction than at novels). I also note that Vathek, arguably the ancestor of the whole ironic/mannered fantasy subgenre, is on there.
In the abstract, I'd like to see more female authors on the list. In the concrete, I'm having trouble thinking of any omissions that I consider indefensible. Tiptree and Link would be, if short stories were eligible. I certainly wouldn't object to Mary Stewart's Merlin trilogy, or A Wrinkle In Time, but by the same token I would remove Harry Potter.
SF&F were so male for so long that it's not surprising that the number of acknowledged masterpieces is uneven.
I find it interesting that SF fans are usually very eager to claim that books published as mainstream with SF content are "really" SF, but when they displace genre favorites on a best-of list, suddenly they're not...
Skeptyk @ 20: Orlando is overrated, but Limbo is basically a curiosity, albeit a fascinating one (and I say that as someone who's read it twice, and is enough of a Bernard Wolfe fan to have just read The Great Prince Died and Carolyn Geduid's book about him).
I completely agree about Heinlein, though. My pick would be The Unpleasant Profession of Jonathan Hoag.
Diana Wynne Jones > Susan Cooper.
@Tim Walters
Oh, yeah, Mary Stewart's Merlin books. How did I leave that out? My son's middle name is Emrys.
I can't help piling on; some of these choices are very weird. Nightmare Abbey is a parody of early 19th century Gothic fiction, rather than an instance of it. Lord of the Flies is a great book, but in no sense fantasy or SF. And, really, out of everything Greg Bear's written, Darwin's Radio?!? Uncle Silas rather than Carmilla?!?!?
I can't believe you've never read Brave New World Chad. I read that one in...seventh(?) grade as required reading.
And hell, Naked Lunch is a random stream of consciousness output from a heroin addict on the road to insanity. I still don't know why I bothered to plow through to the end once I figured out that it would never be coherent, and I sure as hell wouldn't put it on a list of 'Must Reads'.
This is a long list. No Vernor Vinge? I'd put Ender's Game on there too.
Naked Lunch is a random stream of consciousness output from a heroin addict on the road to insanity.
You say that like it's a bad thing.
Tim: It's incoherent rubbish that only got published because it has Burroughs name on it.
Rendezvous with Rama should be on there as Arthur C. Clarkeâs contribution rather than Childhoodâs End. Totally agree that A Wrinkle in Time should be there too.
âThe Graveyard Bookâ Wins Newbery Medal
By MOTOKO RICH
The New York Times
Published: January 26, 2009
Neil Gaiman, a renowned author of science fiction, fantasy, graphic novels and comics aimed at adults, won the John Newbery Medal for the yearâs most outstanding contribution to childrenâs literature on Monday.
Mr. Gaiman, 48, won for âThe Graveyard Book,â a story about a boy who is raised in a cemetery by ghosts after his family is killed in the opening pages of the novel. In announcing the winner of what is widely considered the most prestigious honor in childrenâs literature, the Association for Library Service to Children, a division of the American Library Association, cited Mr. Gaimanâs work for its âdelicious mix of murder, fantasy, humor and human longing,â noting its âmagical, haunting prose.â
[truncated]
Yay!
It seems the list is dominated by authors of whom I've read a few novels, but not the the novels listed (Greg Bear, Stephen Baxter, Alfred Bester, Algis Budrys, GK Chesterton, Stanislaw Lem, CM Kornbluth, Kim Stanley Robinson, Olaf Stapledon, Virginia Woolf, just to mention a few). In a similar vein, it's very inconsistent about whether it includes a whole series, or just the first novel.
Speaking as someone who averaged about a novel a day for most of my teenage years - I think a thousand novels is too many for a 'must read' list. The overwhelming majority of novels do not have that degree of fundamental importance or uniqueness - and there's nothing wrong with that.
Like others, I feel this list reveals traditional literature-snob biases. For example, rather than include something from Moorcock's Eternal Champion saga, they include Mother London, a book with a fairly difficult structure, much of which is quite boring to those not interested in stylistic stunts. From Clarke they included Childhood's End , from Heinlein Stranger in a Strange Land. They include Wolfe and Woolf at all, etc. Speaking as someone who read most of the Darkover novels 2, 3, or even 4 times, Mists of Avalon is by far MZB's worst novel, but I can see why snobs of traditional literature would rather not admit they read any of her better work.
I can't agree with the person who said The House of the Seven Gables is not fantasy. It has (unless my memory has betrayed me) magic in it, although it's understated. (But while it's decent entertainment, it doesn't belong on any one's list of 149 good SF&F novels.) I will also claim Flowers For Algernon deserves the SF label. The best aspect of SF was always about imagining a new development, and exploring its consequences. Algernon imagines an intellect improving operation and explores the consequences, and it's wonderful novel, even though I still want to curl up in a ball and cry whenever I think of it. (I will grant the lack of nubile alien females in Algernon is a big weakness.)
With respect to the list of missing female authors who deserve to be on a list of 149 good SF&F novels, I would add Leigh Brackett and C.J Cherryh.
With respect to poor categorization, did anyone else notice Crichton's The Andromeda Strain and Jurassic Park on the 'Crime' list? WTF? Frankly I thought they were both awful, and don't belong on any short list of 149 SF&F novels, or 1000 novels in general, but if they're going to be on the list of 1000 novels, why in 'Crime' rather than SF&F?