Retrotechnology and steampunk
bioephemera | May 24, 2010
This is my current favorite song, by the underrated band Fanfarlo. The lyrics, which remind me of Roswell crossed with Spoon River Anthology, are a touching portrayal of the eternal plight of the social misfit. But the video is exactly what we'd have gotten if the Dharma initiative had set up its own music television station. So in honor of last night's long-awaited and poignant end to LOST, here's "Harold T. Wilkins, or How to Wait for a Very Long Time."
Lyrics (from here)
You've been packing your bags for the tenth time
You've been up on the roof again
And you're biding your time but it's…
bioephemera | May 20, 2010
From Mechanical Brides of the Uncanny by Edward Bateman
In "Mechanical Brides of the Uncanny," artist Edward Bateman creates images that explore photography's role as historical evidence. Presented as a collection of discovered carte de visites, this book documents a forgotten age of mechanical wonders. Carte de visites were an immensely popular form of photography in the last half of the nineteenth century. They were widely traded and collected, with subjects ranging from portraits of everyday people to those of luminaries. Bateman uses this history to question the idea that all…
bioephemera | May 19, 2010Der Mensch als Industriepalast [Man as Industrial Palace] from Henning Lederer on Vimeo.
So awesome! Fritz Kahn's poster reimagined as an animation by Henning Lederer. Via Bora.
bioephemera | May 18, 2010
Somebody in charge of pulling flickr illustrations for Wired's website has a good eye - they used this photo by Stephen Hampshire. A quick visit to flickr, and it turns out the photo is of Hampshire's homemade version of a DIY project originally described by Neil Fraser: a wooden cube brain map/puzzle. Fraser summarized his creation thus:
Last month I took a left-right MRI scan, reconstructed it, and rerendered top-bottom and front-back scans. It was interesting to manipulate the data and extract information which while previously present, was not previously visible. Another method to…
bioephemera | May 3, 2010
The UK History of Advertising Trust has initiated a ghostsigns archive to document old painted billboards - the kind you see on the sides of brick buildings, fading away unnoticed. These old signs are being destroyed daily (by gentrification, new construction, and new billboards being put over them), and very few new ones are being created (for an example, see my previous post on the artists behind the Stella Artois mural in NYC).
Unfortunately, preserving such signs permanently is difficult - and, some argue, not even desirable:
The core dilemmas are that they are not architectural…
bioephemera | April 26, 2010
An urban art installation proposal by Nick Rodrigues would install sculpted pigeons in Cambridge, MA, each equipped with a "pico projector" that would project a live Tweet stream. According to the Artsake blog,
"Gossiping Birds" is a proposal by Nick Rodrigues (MCC Sculpture/Installation Fellow '07), one of ten artists chosen as finalists for a Public Art Commission in Cambridge, an initiative of the Cambridge Arts Council. The project called for site-specific public art proposals for the Cambridge Street Corridor, a one-mile stretch from Inman Square to Lechmere that spans three distinct…
bioephemera | April 23, 2010The Anachronism (Full Film) from Anachronism Pictures on Vimeo.
The full length version of The Anachronism, a short film by Matthew Gordon Long, has been released online. The only thing wrong with it is that it isn't longer. Give yourself a treat this weekend, enjoy the steampunk, and, if you're like me, reminisce about taking a textbook out into the forest to name things in Latin! I'll just give you one warning: this is a filmmaker who, unlike many others, knows how to let a mystery rest undisturbed. Yes, the film leaves you curious as heck, but in the end, I think that's a much better…
bioephemera | April 17, 2010
Up There is a short documentary about the sign painters who still work in cities like New York, hand-applying mural-style ads to brick walls. In this short preview clip, you see an accelerated version of a series of murals painted over three weeks to advertise Stella Artois. Each image is drawn cartoon-style onto paper, holes are burned through the cartoon, and charcoal is applied to pattern the brick wall. Then the painters fill in the mural, mixing their paint as they go.
It's truly humbling to see such skilled painters, able to fill a wall with a proportional, almost photorealistic mural…
bioephemera | April 12, 2010
Reader Jake alerts me that Wired has just put up a gallery of robot spiders (and spider-like critters). If you've always wanted to be creeped out by a 40-foot robot Shelob, be my guest!
bioephemera | April 7, 2010I blogged about Lisa Black's steampunk heart:
Fixed Heart
offal with mixed metal components
Lisa Black, 2008
I blogged about New Zealand artist Lisa Black before, but I can't get over this great piece of hers. What does it signify? Does it represent the gradual replacement of the natural world around us with technology, to the point where our own bodies become artificial? Is it critiquing the reductionist tendencies of neurobiologists who believe our deepest emotions are complex but purely chemical reactions? Is it a steampunk Valentine? I don't know, and I don't really care - it's just cool…
bioephemera | April 2, 2010
C.B., circa 1708: "These color circles, from a 1708 edition, are the earliest published examples of Newton-style color circles in an artist's manual."
Moses Harris, 1766: "Mimicking the spread of light from a source, Harris places the pure colors at the center of his circle and the lightest at the outer edge."
Schiffermuller, 1772: "Like many others with the same goals, he assumed that there is a knowable natural order to color, one that would confirm the relationship among all forms of knowledge."
More quotes and images from Sarah Lowengard's e-book The Creation of Color in 18th Century…
bioephemera | March 29, 2010I don't think I've posted yet about Andrew Chase's graceful articulated metal sculptures. His cheetah is particularly stunning.
Click the image to watch it run!
Chase's mechanical sculptures have way more personality than metal should. The soulful eyes of his elephants and giraffes could reflect some futuristic world in which extinct flesh-and-blood animals have been (inadequately) replaced with patchwork gestures at nature. Or perhaps they look lonely because they're intimidated by the flesh-and-blood inspirations of which they are ingenious, but dead, replicas.
Robot Timmy Recharging…
bioephemera | March 28, 2010
A recent CNN article points out that the Georgia Guidestones, a carved granite monument erected in 1980 by a mysterious donor obsessed with the possibility of civilization's destruction, wouldn't be all that useful to humankind's survivors:
The center column has a slot through which the transit of the sun throughout the seasons can be observed, while a hole higher up focuses on Polaris, the north star. Another hole in the capstone focuses a beam of sunlight onto the central pillar at noon. Those features would allow the survivors of Christian's feared apocalypse to reproduce three of the…
bioephemera | March 27, 2010
You may have heard from Slashdot that the University of Wisconsin is switching from Arial, a sans-serif font, to Century Gothic, a serif** font that uses 30% less ink, for default printing. The university hopes to save ink, which is both thrifty and eco-friendly. But you may not have seen this art project by Matt Robinson and Tom Wrigglesworth: they used ballpoint pens to scribble large-scale test versions of various fonts on a wall, and the ink level afterward was an analog readout for which font uses more ink. Ingenious!
Word to the nitpicky: while there's no rule that a sans-serif font…
bioephemera | March 24, 2010
"Companion Parrot": An incredible, though slightly macabre, necklace of bird entrails and skull by Tithi Kutchamuch. When not being worn, the necklace rests in the minimalist golden body, and it's a sculpture.
Via Haute Macabre
bioephemera | March 21, 2010From iO9: the trailer for "The Adventures of Adèle Blanc-Sec," a new film directed by Luc Besson (the Fifth Element), which appears to be about a female French Indiana Jones in period costumes. With a dinosaur.
Adèle Blanc-Sec - Le film-annonce. sur Yahoo! Vidéo
iO9 promises that "a pterodactyl threatens steampunk Paris," and I certainly hope the film's got steampunk garnishes, although the usual trappings of steampunk aren't readily apparent in this trailer. But even if the only steampunky thing about it is the locomotive scene, it is certainly more steampunk than a Cheez Whiz TV tube…
bioephemera | March 21, 2010A little Sunday reading: "Mr. Penumbra's Twenty-Four-Hour Book Store," one of several wonderful short stories by San Francisco writer Robin Sloan. It's sort of like magical realism for techies:
Back at Supply and Demand. The air is crackÂling with wi-ââfi; Kat and I are havÂing the only spoÂken conÂverÂsaÂtion in the entire place.She's wearÂing the same red-ââand-ââyellow "BAM!" t-ââshirt as yesÂterÂday, which means a) she slept in it, b) she owns sevÂeral idenÂtiÂcal t-ââshirts, or c) she's a carÂtoon character--all of which are appealÂing alternatives.
I don't want to come out and conÂfess…
bioephemera | March 20, 2010
"Television Tube and Cheeze Whiz Jar Lid Necklace Steam Punk Recycled," via Regretsy.
Help. Pleeze.
bioephemera | March 15, 2010
Delicious - and suprisingly convincing - x-ray images of animals with "skeletons" made of typography by Katerina Orlikova. Be sure to check out _Motion Picture, a running cat-like creature reminiscent of Eadweard James Muybridge's vintage motion photography.
Via Street Anatomy.
bioephemera | February 15, 2010I have my priorities!
Do I even need to comment on how awesome this is? Via iO9.