Events
bioephemera | July 4, 2009In Seattle, a venerable fireworks show has become the subject of a legal dispute between locals and the city - and since this is Seattle, it's only to be expected that the dispute is over environmental impacts. But it's not the fireworks themselves at issue - it's the fact that the city holds the show in Gas Works Park, a remediated coal gasification plant.
I previously wrote about Gas Works Park back in 2007, when I joined a behind-the scenes tour with one of the original designers responsible for the remediation. You can see the photos I took of the majestic steampunk ruins of the plant…
bioephemera | July 3, 2009
Millennia, 2009
aluminum
Michael Sirvet
Michael Sirvet's aluminum shell, three feet in diameter, is a porous excuse for a bowl (heh heh), but all those edges make lovely sifted patterns of light. Millennia makes me think of a cell membrane, a hollowed-out moon, or the Death Star. I'm not sure which resemblance is cooler. See it at Sirvet's website, or at Artomatic.
bioephemera | July 2, 2009
Forrest McCluer
A little more explicitly biological than most of the works at Artomatic, Forrest McCluer's six-foot viroid is part of "an ongoing project to deconstruct 30 discarded personal computers and then create sculptures from all their constituent parts."
I'm not even going to start "deconstructing" the layers of meaning in a giant model of a biological virus made out of discarded, outdated computers. . . total bioephemera!
bioephemera | July 1, 2009
mushroom paintings, oil on panel, 2008
Amy Ordoveza
This series of three paintings by Amy Ordoveza works as abstraction from a distance, but close up, they're luminous golden woodland fungi - the quintessence of bioephemera! See more at her website/blog.
bioephemera | June 30, 2009
Theatre
Ben Tolman
Like Hieronymus Bosch paintings, Ben Tolman's intricate, epic drawings can hold your attention for a long, long time. Although the poor lighting at Artomatic makes poring over the minute detail a little frustrating, it's impressive to see the scale of Tolman's works in person. Alternatively, view the high-res version here, or watch video of Theatre's creation (it took over a year) here, at Ben's blog. I think he may be single-handedly supporting the whole Micron pen industry, at least in the DC Metro area! Awesome work.
bioephemera | June 29, 2009
The Age of the Drowning of Sorrows and the miracle of Soju and Etha
oil on canvas
Tracey Clarke
Tracey Clarke has taken nearly every little girl's habit of doodling horses, turned it into startlingly realistic animal portraiture, and then added a frisson of creepiness. Her wild horses, blank-eyed and leaking stuffing, remind me of the Skin Horse from Margery Williams' The Velveteen Rabbit:
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.""Does…
bioephemera | June 28, 2009
nmohan of the collaborative artists group Robot Disorder just contacted me to let me know they've launched the Robot Disorder 2.0 website, with more robot hordes (and easier navigation). He says they have literally thousands of robot drawings to clean up and post in the coming weeks, so if you haven't yet seen your personal robot, never fear - it's on its way.
And it's not too late to contribute your own robot to the project - just visit the top floor at Artomatic in Washington DC before July 5!
bioephemera | June 28, 2009
Her Dark Satanic Mills
Paul Taylor
When I saw Paul Taylor's massive paintings at Artomatic, I immediately thought of two things: fire and Blake's etchings. So I was tickled that the title, "Her Dark Satanic Mills," refers to a poem by Blake, and that Taylor's creative process is all about fire:
The medium is essentially highly flammable furniture stripper gel - set on fire of course. They are canvas pieces mounted on Luan, covered in Polyurethane to protect the canvas. The gel is applied, somewhat in a Pollock-like manner, lit, and then the process takes on a John Cageian-like "chance…
bioephemera | June 27, 2009
Nápoles #2
acrylic
Fabian H Rios Rubino
It's the last two weeks for DC's Artomatic, which runs through July 5. If you haven't had a chance to go, in addition to losing your chance to Draw A Robot, you're missing a lot of wonderful artwork. For the next week, I'm going to highlight some of the Artomatic artists that especially impressed me, starting with Fabian Rios Rubino. Napoles #2, his only contribution to this year's show, is kind of like what you'd get if Gustav Klimt painted a circuit board: this painting simply glows. View a high-res image here.
bioephemera | June 23, 2009
I'm here in DC at the Newseum for the State of Innovation Summit, a collaboration between SEED and the Council on Competitiveness. The crowd is pretty awesome - right now Adam Bly, SEED's CEO, is sitting a few rows from me with E.O. Wilson. Earlier, Wayne Clough, Secretary of the Smithsonian Institution, talked about a conversation he'd had recently with Steven Chu about using the Smithsonian's resources to enhance public understanding of climate change. As he spoke, the intense sunshine of a summer day in DC played across the Smithsonian castle turrets directly behind him (the seventh floor…
bioephemera | June 22, 2009
Artomatic is one of my favorite things about DC: a cooperative unjuried art gallery in a vacant high-rise, staffed by artists, with live performances and mini-bars on every other floor. It's free (except for the bars). What's not to like? The icing on the top (floor) this year is Draw A Robot - a collective crowdsourced fundraising experiment by the team at RobotDisorder.com.
Draw A Robot is a deliciously haphazard mashup of new tech and low tech. Starting at the low tech end of the process, you sit down with the pens and paper provided at the Draw A Robot booth, and you - wait for it - draw…
bioephemera | June 16, 2009
Der Mensch als Industriepalast (Man as Industrial Palace)
Fritz Kahn, 1926
Pintura/Anatomias, Sintonizando
Fernando Vicente, 2000
The suddenly blogospherically ubiquitous pinup-artist turned anatomical illustrator Fernando Vicente is clearly influenced by German artist Fritz Kahn. If this is your cup of tea, you'll probably also like "An Iconography of the Industrial Body: Fritz Kahn, Popular Medical Illustration and the Visual Rhetoric of Modernity," a talk by Michael Sappol of the National Library of Medicine, curator of Dream Anatomy and author of A Traffic of Dead Bodies: Anatomy and…
bioephemera | April 22, 2009
The Independent Film Festival Boston kicked off today, and this was their ad campaign. Nice use of anatomical imagery!
bioephemera | April 7, 2009There are two interdisciplinary science meetings coming up that you should consider attending, in NYC and DC. Strangely enough, the ubiquitous Chris Mooney is speaking at both of them. Hmmm.
From April 30-May 1 in DC will be the AAAS Forum on Science and Technology Policy, which is a somewhat wonky look at federal science policy and government affairs. The agenda highlight? A plenary session on the future of science journalism, to which I'm looking forward with both enthusiasm and curiosity, given the wide range of opinions on the blogosphere. I'm sure there will also be lots of discussion…
scientificactivist | March 30, 2009Via Tom Holder of Speaking of Research comes news that embattled UCLA scientists have formed their own chapter of the pro-research organization Pro-Test. And, they're already planning their first event:
Following in the footsteps of the Pro-Test group in Oxford, UK, students and scientists at UCLA have pledged to stand up against the lies and misinformation of animal rights groups, and the violence of extremist organizations. They have formed the new group UCLA Pro-Test, which stands for science, reasoned debate and the belief that life-saving medical research must continue without violence…
bioephemera | March 24, 2009
It's Ada Lovelace Day!
Ada Lovelace (1815 - 1852) is often referred to as the world's first computer programmer. The daughter of the famous poet Lord Byron, and the admired intellect, Annabella Milbanke, Ada Lovelace represented the meeting of two alternative worlds: the romanticism and art of her father versus the rationality and science of her mother. In her attempt to draw together these polar opposites and create a 'poetical science' during the Victorian age, Ada collaborated with the renowned mathematician and inventor, Charles Babbage. (source)
I'm betting famous names like Marie Curie…
bioephemera | March 24, 2009
The Sleeping Venus (1944)
Paul Delvaux
Observatory is a new collaborative art space located in Brooklyn, where it is reportedly sandwiched between Proteus Gowanus, Cabinet Magazine, and the Morbid Anatomy library. Its illustrious proprietors include Pam of Phantasmaphile, Joanna of Morbid Anatomy, and D&M of Curious Expeditions. And if that's not reason enough to be excited, tonight they are hosting a talk by Kathryn Hoffmann of the University of Hawaii at Manoa, entitled "Reveries of Sleeping Beauty: Slumber and Death in Anatomical Museums, Fairground Shows, and Art."
I saw Dr. Hoffmann…
bioephemera | March 12, 2009The Pi Day bill went up for a vote today and passed 391-10. Now Congressman Jason Chaffetz explains (via Twitter, natch) why he dared vote against the hallowed number:
Fie, fie! No Yes PeCan Pi for you, Representative Chaffetz (R-Utah)! But kudos for a creative excuse.
bioephemera | March 11, 2009
Throne
Rene Lynch
I was very happy to hear that Pam of Phantasmaphile is curating her first group show, entitled "Fata Morgana: The New Female Fantasists." It starts later this week at Dabora Gallery in Greenpoint, Brooklyn. Pam has amazing taste in art, and she's enticed Madeline von Foerster, Amy Ross, Carrie Ann Baade, and eleven more artists to share their visions:
In literal terms, a fata morgana is a mirage or illusion, a waking reverie, a
shimmering of the mind. Named for the enchantress Morgan le Fay, these tricks
of perception conjure up a sense of glimpsing into another world,…
bioephemera | March 11, 2009
Thought Patterns #1
blood on watercolor paper
Laura Splan, 2003
The International Museum of Surgical Science in Chicago is calling for proposals for "Anatomy in the Gallery:"
[This program] showcases medically themed contemporary art within the unique context of the Museum's historical collections and exhibits. The program was begun in 1998 to help fulfill the Museum's mission of enriching its visitors' lives by enhancing their knowledge and understanding of surgery and related sciences.
Previous exhibitors include Laura Splan (above), Laura Kurtenbach, Geraldine Ondrizek, and Dominic Paul…