Self portrait
The american poet E. E. Cummings' poems usually have mashed-up capitalization, punctuation and are constructed on the page with words as visual art. Consider the below poems where he presents his (typical early 20th century) views on science and technology as having a rather callous effect on earth. His expression of that sentiment is a delicious mix of metaphors wonderfully painted. Very enjoyable.
O sweet spontaneous
by: E.E. Cummings (1894-1962)
sweet spontaneous
earth how often have
the
dotingfingers of
prurient philosophers pinched
and
pokedthee
, has the naughty thumb
of science prodded
thybeauty .how
often have religions taken
thee upon their scraggy knees
squeezing andbuffeting thee that thou mightest conceive
gods
(but
trueto the incomparable
couch of death thy
rhythmic
loverthou answerest
them only with
spring)
"incomparable couch of death thy rhythmic lover"! Such density of meaning!
Another poem that evokes an astonishingly detailed image in mind with so little words, like a Japanese landscape painting.
beyond the stolid iron pond
soldered with complete silence
the huge timorous hills
squat like permanent vegetablesthe judging sun pinches smiling
here and there some huddling vastness
claps the fattest finally
and tags it with his supreme bluewhereat the just adjacent valley
rolls proudly his belligerent bosom
deepens his greens inflates his ochres
and in the pool doubles his winnings
Poems quoted from E. E Cummings - Selected poems, edited by Richard S Kennedy.
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